All-rounder Artist

Chapter 1223: Chapter 1036: Directing the Country_3 Chapter 1223: Chapter 1036: Directing the Country_3 As for why he’s still not the King of Pop on Blue Star…

It’s not that someone is better than Xian Yu, but rather that Blue Star currently doesn’t have a true King of Pop.

Xian Yu’s output of work is very high.

However, the overall quality has not yet reached an indisputable level.

Once he has more works, and more top-quality songs, he may well become the true King of Pop on Blue Star.

Until then.

Xian Yu can only be said to be one of the best Maestros of pop songs on Blue Star, one of the top ones.

The audience was shaken!

Lu Sheng’s words were well-founded, and there was simply no point to refute!

The most terrifying thing about Xian Yu was that while producing a high quantity, he also took care of the quality of his works, didn’t he?

He was too good at writing songs!

It was just a concert back in the day, but he brought out countless new songs!

Not to mention during the Ten Years series, Xian Yu brought huge surprises to everyone every month!

Other Maestros would have been drained long ago!

But Xian Yu was not drained, as if his great songs were endless!

Even with the opening of Blue Songlympics, Xian Yu still currently has the most works among all the Maestros!

Stockpile?

With such a stockpile, after so many years, shouldn’t it have been depleted by now?

If it’s not a matter of using stockpile, then the only explanation is that Xian Yu’s creative energy and talent are so abundant that he can afford to squander it!

As for why Xian Yu is not yet the King of Pop on Blue Star?

Lu Sheng’s explanation was equally justifiable.

It’s not that there’s someone on Blue Star who is stronger than Xian Yu, but because at present, there are Maestros who are not inferior to Xian Yu in this aspect, so there isn’t a true King of Pop.

Fragrant couldn’t help asking:

“Do you think Teacher Admirable Fish has the potential to become the King of Pop on Blue Star?”

Lu Sheng sighed:

“It’s hard to say with these things because popular songs have a drawback, that is, their propagation.

Why don’t Maestros like Yang Zhongming and Abigail, who rank at the top on Blue Star, write pop songs anymore?

Is it because they can’t?

Is it because they have been drained?

The real answer is, the scope of pop songs is just not enough.

After so many years of music development on Blue Star, the works that truly last through the ages are mostly instrumental pieces.

Popularity is just that.

The so-called popularity means that these works are mostly popular for a moment.

The more impressive ones can be popular for several years or even decades, but what if it’s one hundred, two hundred, or even longer?

This is not something pop songs can easily achieve.

Whereas some instrumental pieces can do that.

For instance, the famous classical pipa piece “Song of the Wind” from Zhao Continent has been around for centuries and still has enduring popularity.

And regarding this competition.

The limelight is big enough for Xian Yu, right?

Yet, even with all his gold medals, the biggest shock that the Blue Songlympics has brought to everyone is still the violin piece from Head Coach Yang Zhongming, as well as the saxophone piece from Abigail.

Why?

Because that is art that is sufficient to enter the hall of classics on Blue Star.

A hundred years later, most of our current pop songs will be outdated.

But Yang Zhongming and Abigail’s two pieces will likely still be played by countless people and will likely continue to be passed on.

This is the reason why more and more Maestros from Zhong Continent are less willing to write pop songs.

In fact, Maestros from all continents, including myself, have become more interested in researching musical pieces in recent years.

Things like piano, violin, and even symphonic structures!

Of course.

I’m not negating the value of pop songs.

Being able to make a pop song popular for a while is itself a matter of ability.

Some of Xian Yu’s pop songs, in my opinion, can even be popular for several years or even decades.

For example, “East Wind Broken,” a song I have always highly admired; you will still find it timeless even after a decade or more.

Other works of the same caliber include “Blue and White Porcelain.”

The success of a work fundamentally isn’t about how high it ranks on the seasonal charts, but whether, years later, people still want to listen to that song, whether they can still be moved by it.”

He was speaking of evaluating Xian Yu.

But Lu Sheng had already extended it to the trend of the entire industry.

This trend is that the top Maestros on Blue Star are beginning to study instrumental works, even symphonic structures.

And saying that.

Lu Sheng suddenly changed the subject: “Going back to our initial question, where do you ask Xian Yu ranks among Blue Star Maestros?”

He smiled.

Lu Sheng answered: “My answer is that Xian Yu’s current overall composition skill ranks him in the top ten on Blue Star!”

Top ten!

Such high praise!

The entire live studio was stirred up!

It’s even more shocking than rating Yang Zhongming as “top three on Blue Star”!

Xian Yu is not Yang Zhongming!

He doesn’t have that kind of profound foundation!

Even though many in the live studio were fans of Xian Yu.

Even Fragrant, who was also a fan, couldn’t help saying at this moment:

“But didn’t you just say there are limitations to pop songs?”

“Hehe.”

Lu Sheng laughed: “Stirring up the music scene on Blue Star with countless pop songs, can’t that offset certain limitations?

You have to know.

Achieving an extreme in any music field is a tremendous achievement, even if his pop songs cannot be passed down through generations, his name will surely be engraved in the history of Blue Star pop music for countless people to worship.

At that time.

If we really have to say who the King of Pop is, Xian Yu has a good chance of being elected.

Besides, did I say that Xian Yu can only write pop songs?”

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